「Blind Date」是日本藝術家志賀理江子在2017年6月舉行的大規模個展。 志賀理江子生於日本愛知縣，自2008年起居住於宮城縣，透過攝影，她持續以影像作為自身與社會的接點。本展展出志賀2009年在泰國曼谷拍攝的「Blind Date」系列，她拍下騎乘在摩托車上、雙雙對對的戀人騎士，開啟圍繞著悲痛、人性之源、資本主義與死亡的思索與敘事。展覽包括系列照片與一件由20台幻燈機組成的裝置，閃爍著一如生命中光與影的共生與矛盾。我們的眼睛看不到的是什麼呢？志賀嘗試探尋攝影的範圍，認真地觀看世界，創造著接近人類生命樣態的影像。

「Blind Date」是日本藝術家志賀理江子在2017年6月舉行的大規模個展。 志賀理江子生於日本愛知縣，自2008年起居住於宮城縣，透過攝影，她持續以影像作為自身與社會的接點。本展展出志賀2009年在泰國曼谷拍攝的「Blind Date」系列，她拍下騎乘在摩托車上、雙雙對對的戀人騎士，開啟圍繞著悲痛、人性之源、資本主義與死亡的思索與敘事。展覽包括系列照片與一件由20台幻燈機組成的裝置，閃爍著一如生命中光與影的共生與矛盾。我們的眼睛看不到的是什麼呢？志賀嘗試探尋攝影的範圍，認真地觀看世界，創造著接近人類生命樣態的影像。

In his celebrated bestsellers Agent Zigzag and Operation Mincemeat , Ben Macintyre told the dazzling true stories of a remarkable WWII double agent and of how the Allies employed a corpse to fool the Nazis and assure a decisive victory. In Double Cross , Macintyre returns with the untold story of the grand final deception of the war and of the extraordinary spies who achieved i...(展开全部)

Tautly narrated and excruciatingly suspenseful, Double Indemnity gives us an X-ray view of guilt, of duplicity, and of the kind of obsessive, loveless love that devastates everything it touches. First published in 1935, this novel reaffirmed James M. Cain as a virtuoso of the roman noir .

One minute, down and out actor Lorenzo Smythe was -- as usual -- in a bar, drinking away his troubles as he watched his career go down the tubes. Then a space pilot bought him a drink, and the next thing Smythe knew, he was shanghaied to Mars. Suddenly he found himself agreeing to the most difficult role of his career: impersonating an important politician who had been kidnapp...(展开全部)

我們只有一個人是活不下去的。因為你是我的另一半。 「我殺了個女人───」電話另一頭傳來的高傲語氣，來自高中時代的同學・市川光央。聽到這聲音，擁有相同讀音名字的壹河光夫，想起了從前微薄的記憶。 被遺忘的過去，在光夫的胸口裡重燃熱情。以共犯者的身分再度相會的兩人，主僕關係也慢慢地改變，成為新的關係……。 實力派作家中村明日美子老師筆下深刻的愛情故事！

What happens when Tertuliano M-ximo Afonso, a 38-year-old professor of history, discovers that there is a man living in the same city who is identical to him on every physical detail, but not related by blood at all. And what happens when each of these men attempt to investigate each other's lives? How do we know who we are? What do we mean by identity? What defines us as indiv...(展开全部)

Tertuliano Maximo Afonso is a divorced, depressed history teacher. To lift his spirits, a colleague suggests he rent a certain video. Tertuliano watches the film, unimpressed. But during the night, when he is awakened by noises in his apartment, he goes into the living room to find that the VCR is replaying the video. He watches in astonishment as a man who looks exactly like h...(展开全部)

This is the first major publication in English on the work of French artist Sophie Calle, yet this volume is in no way an ordinary monograph. In fact, it takes the form of a "double jeu", a "double game," between the work of Sophie Calle and the fiction of Paul Auster. Representing an imaginative interplay of fact and fiction, "Double Game" creates a publication of endless intr...(展开全部)